Papers from 2012
All night silence: Live experimental sound in New Zealand public art galleries, Su Ballard
Nonorganic life: frequency, virtuality and the sublime in Antarctica, Su Ballard
Fish-Hair Woman - Novel, Merlinda C. Bobis
Media Art: Mediality and Art Generally, Brogan S. Bunt
The disability image-makers in Australian news media., Shawn G. Burns
Still Life | Moving Fragments, Louise Curham and Jo Law
Elixir, Elizabeth D. Eastland
"The novel whose continuation you are hunting for" : Aporia and epiphany in If on a Winter's Night a Traveler, Sally Evans
Inferno Wonderland, Agnieszka Golda and Martin V. Johnson
The Hanging of Jean Lee - CD, Andree Greenwell
'Citizens of fate': Blood, disease and the question of mortality in Sadness by William Yang, Margaret M. Hamilton
On tour in Europe: 'Australian theatre' and the theatre aesthetics of 'The Sydney Front', Margaret M. Hamilton
An issue of "Place": Circus WOW, women of Wollongong's Community Circus, Janys Hayes
Attending to Anthony McCall's Long Film for Ambient Light, Lucas M. Ihlein
Artefacts of authenticity, Garry C. Jones
Accident and Process, Derek J. Kreckler
Appropriated Circumstances, Derek J. Kreckler
Women in theatre, Elaine Lally and Sarah Miller
Heightened potentials: assisting students to work independently and collaboratively in the creative and performing arts disciplines, Lotte Latukefu, Marcus O'Donnell, and Grant N. Ellmers
"Major cold: pheasant hens brood", Jo Law
"Major cold: streams and marshes frozen solid", Jo Law
"Major cold: vulture flies stern and swift", Jo Law
Old Earth, Jo Law
"Rain water: river otters sacrifice fish", Jo Law
Rain water: wild geese heard north, Jo Law
"Start of spring: dormant creatures twitch", Jo Law
"Start of spring: east wind melts ice", Jo Law
"Start of spring: fish swim upstream and break the ice", Jo Law
The Almanac Projects: Seasons Experienced through the Material World, Jo Law
Still Life | Moving Fragments, Jo Law and Louise Curham
A Place for Art: The University of Wollongong Art Collection, Amanda Lawson
Future Frameworks: Towards a Strategic Plan for the Visual Arts and Museum Sector in NSW, Jennie A. Lawson and Amanda Reynolds
Oral history and the radio documentary/feature: introducing the 'COHRD' form, Siobhan A. McHugh
The affective power of sound: oral history on radio, Siobhan A. McHugh
A scarred colonial psyche, Catherine McKinnon
'Is a true story always true?' : an approach to fictionalizing Matthew Flinders' Narrative of Tom Thumb's cruize to Canoe Rivulet, Catherine McKinnon
Writing white, writing black, and events at Canoe Rivulet, Catherine McKinnon
Aboriginal embassy:, Nick Mclaren, David Blackall, Terumi Narushima, and Oliver Kutzner
Arte Indigena Contemporaneo en Australien, Ian A. McLean
Productive Creative Writers' Relationships: A Communities-of-Practice Framework, Anitra Nelson and Catherine Cole
Domestic archaeology, Kelly Pilgrim-Byrne
Artworks exhibited in the exhibition "CCP Declares: On the Nature of Things", Jacky Redgate
Depth of Field, Jacky Redgate
Depth of Field, Jacky Redgate
Light Throw (Mirrors), Jacky Redgate
Soft and Slow, Jacky Redgate
"Pocket Gamelan - mobile voices", G. Schiemer, Janys Hayes, and Lotte Latukefu
Encouraging Responsibility Among Contributors to Mainstream Media Sites: A personal reflection, Stephen J. Tanner
Managing user-generated content in the new technological environment (some ethical considerations), Stephen J. Tanner
Media, minority government, politics and policy, Stephen J. Tanner
The role of special edition editorials in forging and maintaining links between newspapers and the communities they serve, Stephen J. Tanner, Shawn G. Burns, and Marcus O'Donnell
Feature Writing - Telling the Story, Stephen J. Tanner, Molly J. Kasinger, and Nick Richards
All stand for a musical match made in heaven, David C. Vance
Aural delight from start to finish, David C. Vance
Music on the Mall, David C. Vance
Music on the Mall, David C. Vance
Voices carry as conductor and choir shine in Mozart, David C. Vance
Performance at TEDxUWollongong, David C. Vance and Lotte Latukefu
Aquarellen, Julius G. Van Den Berg
Room, Julius G. Van Den Berg
Simon Blau, Susan Laurent, Jelle van den Berg, Julius G. Van Den Berg, Simon Blau, and Susan Laurent
Cordite, Alan Wearne
Papers from 2011
The Dark, the Light: Contemporary Australian and American art songs, Cathy Aggett, Lotte Latukefu, Diana Blom, and Kevin Hanrahan
David Haines and Joyce Hinterding - A radiostation from the sun, Su Ballard
Information, Noise, et al., Susan P. Ballard
History and postmemory in contemporary Vietnamese literature, Marsha Berry and Catherine Cole
Lost Innocents of Kashmir, David Blackall, Kraig Grady, and Oliver Kutzner
Making News Today: a tool for adoption of ethics principles using technology¿supported television journalism, David R. Blackall, Barry M. Harper, and Lori Lockyer
Passion to pasyon: playing militarism, Merlinda C. Bobis
Loom, Brogan S. Bunt
Radical Uncertainty: Judith Butler and a theory of character, Shady E. Cosgrove
Archive Fever in a Typingspace: Physicality, Digital Storage, and the Online Presence of Derek Motion, Sally Evans
Hybridity and the Essayistic approach in radio drama and documentary: Incorporating found texts, field recordings, oral histories and original music composition in three original radio plays., Catherine Anne Fargher
The Man with No Ear: bioethical issues as a base for fables, Catherine Anne Fargher
At Wentworth Falls, Phillip Hall
Transfigured Stages: Major Practitioners & Theatre Aesthetics in Australia, Margaret M. Hamilton
Of the people, for the people: Duong Le Quy's site-specific spectacles at the 2010 Hue International Arts Festival, Janys Hayes
Through a glass darkly: Gesture in actor training, Janys Hayes
UnReal Estate, Lucas M. Ihlein
What lies beneath: small soundworks for the sleepy, Lucas M. Ihlein
Catalogue essay for "Learning from Experience: In League with the City of Melbourne" Visual Arts Project, Lucas M. Ihlein
Green Bans Art Walk Project, Lucas M. Ihlein, Jo Holder, Diego Bonetto, Pat Armstrong, Stacey Miers, Mickie Quick, and Fiona McDonald
On the Reception of Aboriginal Art in German Arts Space. Art Historical and Anthroplogical Perspectives, Friederike Krishnabhakdi-Vasilakis
Memory, schema and interactive video, Michael G. Leggett
Physical Cinema: Practitioners and Recent Practice, Michael G. Leggett
Reporting Religion beyond the Conflict Frame, Eric Loo
Radio Narrative: Considerations on Form and Aesthetic, Siobhan McHugh
Oral History and the Radio Documentary/Feature: introducing the COHRD (Crafted Oral History Radio Documentary), Siobhan A. McHugh
Oral history goes to air: reflections on compiling oral history as radio narrative, Siobhan A. McHugh
The art and craft of radio documentary: some Australian accents., Siobhan A. McHugh
Aboriginal art and the artworld, Ian A. McLean
Aboriginal cosmopolitans: A prehistory of Western Desert Painting, Ian A. McLean
Billy Benn, Outsider Art and Art History, Ian A. McLean
How Aborigines invented the idea of contemporary art, Ian A. McLean
How globalization made Aboriginal art contemporary, Ian A. McLean
Reverse perspective: Bernard Smith's worldview and the cosmopolitan imagination, Ian A. McLean
The unsettling triumph of Aboriginal contemporary art, Ian A. Mclean
The unsettling triumph of Aboriginal contemporary art, Ian A. McLean
The world art artworld, Ian A. McLean
The gift that time gave: Myth and history in the Western Desert painting movement, Ian A. McLean