RIS ID
80968
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Abstract
The works in ‘Heavy Heavenly Bodies‘ suggest liminal encounters through blurred or hidden identities of forms, many figures are forsaken but for ghosts. A family processes food under the image of the doomsday clock, a lone Jewish settler challenges Israeli security officers at the settlement of Amona (the painting is based on Oded Balilty’s winning Pulitzer photograph), and a line of women dressed in national flags reflect current international alliances.
Publication Details
M. T. Kelly 2008 Heavy Heavenly Bodies Brisbane, QLD Milani Gallery 9 July - 25 July