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Volume 16, Issue 1 (1994)
Full Issue
Kunapipi 16 (1) 1994 Full Version
Anna Rutherford
Journal Articles
Kunapipi 16(1) Editorial, Contents
Anna Rutherford
Acceptance Speech
Kath Walker
An Interview with Oodgeroo
Kath Walker
On the Line
Eva Johnson
THE BLACK PEN.
Eva Johnson
Why I Write
Thea Astley
CODA (an extract)
Thea Astley
Why I Write
Gillian Mears
Who Kissed my Posy Rash?
Gillian Mears
Why I Write
Marion Halligan
I Love You
Marion Halligan
Why I Write
Beverley Farmer
A Woman with Black Hair
Beverley Farmer
Why I Write
Diane Fahey
Why I Write
Kathleen Mary Fallon
Extract from Working Hot
Kathleen Mary Fallon
Diving for the Red Pearl: Surfacing and Setting the Centre in Working Hot.
Melissa Boyde and Amanda Lawson
Why I Write?
Janette Turner Hospital
Our Own Little Kakadu
Janette Turner Hospital
Why I Write
Kate Grenville
Albion in Love
Kate Grenville
Why I Write
Jennifer Strauss
Why I Write
Yasmine Gooneratne
From a Novel in Progress
Yasmine Gooneratne
Why I Write
Chandani Lokuge
Wild Blossom
Chandani Lokuge
Ania Walwicz's Vagrant Narration: Cosmopolitanism vs Nationalism in Australian 'Migrant Writing'
Anne Brewster
Why I Write
Patricia Grace
Flower Girls
Patricia Grace
Why I Write
Lauris Edmond
Cheongsam Misadventures
Catherine Lim
Why I Write
Shirley Geok-Lin Lim
Why I Write
Jean Arasanayagam
The Mother-in-Law
Jean Arasanayagam
Why I Write
Punyakante Wijenaike
Amulet (an extract)
Punyakante Wijenaike
Woman as Gendered Subject and other Discourses in Contemporary Sri Lankan Fiction in English
Neloufer de Mel
Why I Write
Bapsi Sidhwa
The Trouble-Easers
Bapsi Sidhwa
Why I Write
Shashi Deshpande
The Homecoming
Shashi Deshpande
Why I Write
Githa Hariharan
The Remains of The Feast
Githa Hariharan
Why I Write
Sunetra Gupta
Strangers and Other Ghosts
Sunetra Gupta
Why I Write
Meira Chand
House of the Sun (Chapter One)
Meira Chand
The Holder of the World (an extract)
Bharati Mukherjee
Why I Write
Kanchana Ugbabe
Golden Opportunities
Kanchana Ugbabe
SPICES - for Pandi (Mutuma)
Ama Ata Aidoo
Between Gender, Race and History: Kirsten Holst Petersen Interviews Tsitsi Dangarembga
Kirsten Holst Petersen
Why I Write
Erna Brodber
One Bubby Susan
Erna Brodber
Tell the Queen I'm Sorry
Olive Senior
Why I Write
Claire Harris
Inside Passage
Claire Harris
Why I Write
Aritha Van Herk
Especially Jericho
Aritha Van Herk
Why I Write
Janice Kulyk Keefer
Going over the Bars
Janice Kulyk Keefer
Why I Write
Bonnie Burnard
Nipple Man
Bonnie Burnard
Joy Kogawa Interviewed by Jeanne Delbaere
Jeanne Delbaere
Obasan: Joy Kogawa's 'Lament for a Nation'
Diana Brydon
Storm Glass: The Preservation and Transformation of History in The Diviners, Obasan, My Lovely Enemy
Coral Ann Howells
Why I Write
Joan Crate
Going Back
Joan Crate
Why I Write
Isabel Huggan
Starting with the Chair
Isabel Huggan
Why I Write
Marina Warner
Spinning a Yarn with Marina Warner
Chantal Zabus
Let It Be Told
Jackie Kay
Writing Reality in a Hostile Environment
Joan Riley
Why I Write
Sujata Bhatt
Why I Write
Elleke Boehmer
Fado in Lissabon
Elleke Boehmer
Now That We're Free
Lauretta Ngcobo
Why I Write
Zoe Wicomb
Contemporary Australian Women's Writing: An Overview.
Gillian Whitlock
Contemporary Women's Writing in New Zealand
Janet Wilson
Sri Lankan Women Writers In English 1983-1994
Lilamani de Silva
Indian Women's Writing in English
Ranjana Sidhanta Ash
Anglophone Caribbean Women Writers.
Denise deCaires Narain and Evelyn O'Callaghan
Canadian Women's Literary Discourse in English, 1982-92
Donna Palmateer Pennee
Notes on Contributors, Index
Anna Rutherford
