Year

2001

Degree Name

Master of Arts (Hons.)

Department

Faculty of Creative Arts

Abstract

This study examines the compositional element of instrument usage; in particular, the ways Karel Husa has used the timbral resources of wind ensemble and symphony orchestra. To this end, an analysis method was designed that illuminates relationships between scoring choices and structural function.

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Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong.