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Contents & Introduction, Law Text Culture, volume 24
James Parker, Sara Ramshaw, and Mehera San Roque

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how are you today by the Manus Recording Project Collective
James EK Parker and Joel Stern

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Interview: André Dao and Behrouz Boochani
André Dao and Behrouz Boochani

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What I Heard About Manus Island (When I Listened to 14 Hours of Recordings from Manus Island)
André Dao

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Beyond the Horizon of the State: Listening to offshore detention’s longue durée
Poppy de Souza

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Listening beyond the border: Self-representation, witnessing, and the white sonic field
Andrew Brooks

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Carceral atmospheres on Manus Island: Listening to how are you today
Emma K. Russell

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Mediating Punishment? Prisoners’ Songs as Relational ‘Problem-Solving’ Devices
Phil Crockett Thomas, Jo Collinson Scott, Fergus McNeill, Oliver Escobar, Lucy Cathcart Frödén, and Alison Urie

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Acoustic Surveillance in Brazil: The Car Wash Operation Panacousticon
Leonardo Cardoso

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The Life and Death of a Protest Anthem at the Frontier of a New Cold War
Janny HC Leung

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Sound and Fury Signifying Brexit
Gary Watt

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Gnostics of the North, or Music To Recolonize Your Anxious Capitalist Dreams By
Seth Kim-Cohen

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‘Shoot the Boer’ – Hate Speech, Law and the Expediency of Sound
Veit Erlmann

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‘Listening intently’ to LGBTQI Lives: diplomatic narratives of listening and hearing in LGBTQI rights.
Kay Lalor

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Earwitnessing the Queer Acoustics of Public Space: Law, Sex and Nature in Ultra-red’s Second Nature
David C. Jackson

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Glitching justice: Audio visual links and the sonic world of technologised courts
Carolyn McKay

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Acoustic injustice: The experience of listening to indistinct covert recordings presented as evidence in court
Helen Fraser and Debbie Loakes

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Alexa and the Making of the Neoliberal Ear
Audrey Amsellem

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The sound of the perpetrator – thoughts on trauma and voice in Big Little Lies
Juliet Rogers

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Singing the Law: The Musicality of Legal Performance
Sean Mulcahy

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Law with the Sound of Its Own Making
Danilo Mandic

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Towards Acoustic Justice
Brandon LaBelle