Home > assh > kunapipi > Vol. 4 (1982) > Iss. 2
Abstract
As humanity and, by implication theatre, become more technomorphic, performance outside of a building specifically designed for the purpose is either ignored or pre-packaged as 'street' or 'guerrilla' theatre. Whereas the theatre building functions to separate the audience from the players and entrench the distinction between art and life, these latter styles are an attempt by professionals to overcome this distinction, to draw attention to specific problems in society and to concientise the public to alternative everyday forms of theatre. Such theatre, however, remains a novelty (in South Africa at least) for it is a deliberate attempt by actors or directors to involve bystanders in a performance which does not normally occur outside of a theatre.
Recommended Citation
Tomaselli, Keyan G., Theatre, Repression and the Working Class in South Africa, Kunapipi, 4(2), 1982.
Available at:https://ro.uow.edu.au/kunapipi/vol4/iss2/19
