Home > assh > kunapipi > Vol. 34 (2012) > Iss. 2
Abstract
In this essay I want to discuss art as a power discourse, and I want to discuss it by asking a particular question of a particular group of paintings. How can some art critics maintain that the Ghanaian painter Ablade Glover’s paintings of market scenes are a provocation whilst others see them as inauthentic and others again admire them for their aesthetic value?
Recommended Citation
Petersen, Kirsten Holst, Art, Power and Aesthetics: A discussion of Ablade Glover’s township paintings, Kunapipi, 34(2), 2012.
Available at:https://ro.uow.edu.au/kunapipi/vol34/iss2/9
