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Abstract
Sistren Theatre Collective’s debut production Bellywoman Bangarang (1978) is considered a landmark in Caribbean theatre. When first staged twenty-six years ago in Kingston’s Barn Theatre, the play caused a stir among theatre-goers for its unmasking of social taboos surrounding sexuality, teenage pregnancy, and domestic violence. Based on the life stories of Sistren members, Bellywoman Bangarang explores the inequalities Jamaican girls face as they mature from childhood to adulthood.
Recommended Citation
Smith, Karina, Demystifying ‘reality’ in sistren’s bellywoman bangarang, Kunapipi, 26(1), 2004.
Available at:https://ro.uow.edu.au/kunapipi/vol26/iss1/8