Cinema Papers #73 May 1989
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Content
2 BRIEFLY: NEWS, VIEWS AND LETTERS, INCLUDING 1989 ACADEMY AWARDS AND LOGIES
6 DIRECTOR PHIL NOYCE AND DEAD CALM: INTERVIEW BT BRIAN McFARLANE
12 FRANCO NERO : INTERVIEW BY PAUL HARRIS
19 FILM FINANCE : THE AGONY AND THE FFC : REPORT BY JOHN NICOLL
22 PAY TV : REPORT BY LIZ FELL
25 CANNES INTRODUCTION
26 CANNES OPENERS : AUSTRALIAN FILMS AT CANNES
29 SWEETIE : DIRECTOR JANE CAMPION : INTERVIEW BY PHILIPPA HAWKER
32 TRAVELS TO THE END OF THE NIGHT : IAN PRINGLE : INTER VIEW BY HUNTER CORDAIY
37 THE BOYS IN THE ISLAND : REPORT BY KATHY BAIL
39 NEW ZEALAND AT CANNES PLUS WHO’S WHO
40 PRODUCTION BAROMETER
42 FANZINES: REPORT BY MICHAEL HELMS
46 SCREENWRITER FRANK PIERSON : INTERVIEW BY PATRICK MAHER
52 TECHNICALITIES : TALKING FILM STOCKS : BY FRED HARDEN
56 MISSISSIPPI BURNING : JOHN SLAVIN AND JOHN SALMOND
58 DIRTY DOZEN : CRITICS' BEST AND WORST
60 FILM REVIEWS : ANOTHER WOMAN: BY SHELLEY KAY ; CELIA : BY IN A BERTRAND ; DEAD CALM : BY SHELLEY KAY ; DISTANCE VOICES, STILL LIVES : BY JOHN CONO- MOS ; EMERALD CITY : BY JOHN SLA VIN ; L UIGTS LADIES : BY JIM SCHEM- BRI; MY GIRLFRIEND’S BOYFRIEND : BY ANNE-MARIE CRAWFORD ; TALK RADIO : BY ADRIAN MARTIN
67 BOOK REVIEW : DON’T SHOOT THE BEST BOY! : BY KEN BERRYMAN ; PLUS NEW SECTION: BOOKS RECEIVED
69 PRODUCTION SURVEY : WHO’S MAKING WHAT
79 CENSORSHIP LISTINGS
80 THE LAST WORD ON FILM FINANCE : BY BOB WEIS