Cinema Papers
 
Cinema Papers #63 May 1987

Cinema Papers #63 May 1987

Philippa Hawker

Description

Content

4 TABLOID TV: What's Rupert Murdoch got in store for the small screen?

10 THE SACRIFICE: Tarkovsky's final vision

14 CRIME ON HIS SIDE: But thriller writer Elmore Leonard has trouble going from page to screen

16 LANDSLIDES: Documentary puts the body (of work) in question

20 PEE WHEEEE!!!!!!: The man who's Daffy Duck's equal

22 FESTIVAL OCCASIONS: The Holocaust, model trains, shampooists and Orson Welles come to town

25 CENSORSHIP: The January and February decisions

26 GIRLS ON FILM: What do women's film units do for film- making? For women?

28 WRITE WAYS: Screenwriters talk, Troy Kennedy Martin dreams

SPECIAL CANNES SECTION

30 HIGH TIDE: Gillian Armstrong goes to Eden

34 MONEY TALKS: Tony Ginnane extends his influences

38 WAYWARD HAYWOOD: Chris Haywood 'gets to the point

40 AUSTRALIA AT CANNES: Who's who, which films are Cannes openers

52 REVIEWS: The Berlin Affair; Footrot Flats; In Between; Kangaroo; Little Shop Of Horrors; Men; Peggy Sue Got Married; Platoon; Some Kind Of Wonderful; Something Wild; Travelling North; True Stories; The Umbrella Woman

66 BOOKS: Michael Powell remembers . . . and remembers . . . and remembers

68 NEW ZEALAND: Cameras roll again

70 TECHNICALITIES: Holography and the light fantastic

74 PRODUCTION REPORT: Bill Bennett goes to paradise

76 PRODUCTION SURVEY: Who's making what in Australia