The author suggests that new concepts in twentieth-century science not only provides commonalitites between the arts, sciences and humanities, they also point to the emergence of a new philosophy of nature with some promising political, sociological and technological implication. These developments demand a throught-going ethical practice and a fundamental reformulation of accepted notions of creativity, consciousness and natural and social organization. Outlining key concepts and discoveries in twentieth-century science and philosophy, the author draws attention to the existence of a strong organismic or process tradition in Western culture that is re-emerging in various fields of the physical, biological and social sciences. The author asserts that such a change in science and technology will have global ramifications for humands and that it is the amplification of these insights to which artists should turn their attention.
History
Citation
Lucas, A. R. (1993). Art, science and technology in an expanded field. Leonardo, 26 (4), 335-345.