Year

1997

Degree Name

Master of Arts (Hons.)

Department

Faculty of Creative Arts

Abstract

Even a cursory reading of the analytical literature reveals a general lack of analysis of music for performers and electronics. This thesis examines the reasons for this and presents a method that helps alleviate the problem. It is thus in two parts, a critique and a method.

Share

COinS
 

Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong.