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The author suggests that new concepts in twentieth-century science not only provides commonalitites between the arts, sciences and humanities, they also point to the emergence of a new philosophy of nature with some promising political, sociological and technological implication. These developments demand a throught-going ethical practice and a fundamental reformulation of accepted notions of creativity, consciousness and natural and social organization. Outlining key concepts and discoveries in twentieth-century science and philosophy, the author draws attention to the existence of a strong organismic or process tradition in Western culture that is re-emerging in various fields of the physical, biological and social sciences. The author asserts that such a change in science and technology will have global ramifications for humands and that it is the amplification of these insights to which artists should turn their attention.