The University of Wollongong Faculty of Law, Humanities and the Arts was formed in 2013 following an organisational restructure. It comprised an amalgamation of the former Faculty of Law, Faculty of Arts and Faculty of Creative Arts. Related series: Faculty of Law, Humanities and the Arts - Papers.

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Papers from 2012

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All night silence: Live experimental sound in New Zealand public art galleries, Su Ballard

Nonorganic life: frequency, virtuality and the sublime in Antarctica, Su Ballard

Fish-Hair Woman - Novel, Merlinda C. Bobis

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Media Art: Mediality and Art Generally, Brogan S. Bunt

The disability image-makers in Australian news media., Shawn G. Burns

Still Life | Moving Fragments, Louise Curham and Jo Law

Elixir, Elizabeth D. Eastland

"The novel whose continuation you are hunting for" : Aporia and epiphany in If on a Winter's Night a Traveler, Sally Evans

Inferno Wonderland, Agnieszka Golda and Martin V. Johnson

The Hanging of Jean Lee - CD, Andree Greenwell

'Citizens of fate': Blood, disease and the question of mortality in Sadness by William Yang, Margaret M. Hamilton

On tour in Europe: 'Australian theatre' and the theatre aesthetics of 'The Sydney Front', Margaret M. Hamilton

An issue of "Place": Circus WOW, women of Wollongong's Community Circus, Janys Hayes

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Attending to Anthony McCall's Long Film for Ambient Light, Lucas M. Ihlein

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Artefacts of authenticity, Garry C. Jones

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Accident and Process, Derek J. Kreckler

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Appropriated Circumstances, Derek J. Kreckler

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Women in theatre, Elaine Lally and Sarah Miller

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Heightened potentials: assisting students to work independently and collaboratively in the creative and performing arts disciplines, Lotte Latukefu, Marcus O'Donnell, and Grant N. Ellmers

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"Major cold: pheasant hens brood", Jo Law

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"Major cold: streams and marshes frozen solid", Jo Law

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"Major cold: vulture flies stern and swift", Jo Law

Old Earth, Jo Law

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"Rain water: river otters sacrifice fish", Jo Law

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Rain water: wild geese heard north, Jo Law

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"Start of spring: dormant creatures twitch", Jo Law

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"Start of spring: east wind melts ice", Jo Law

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"Start of spring: fish swim upstream and break the ice", Jo Law

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The Almanac Projects: Seasons Experienced through the Material World, Jo Law

Still Life | Moving Fragments, Jo Law and Louise Curham

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A Place for Art: The University of Wollongong Art Collection, Amanda Lawson

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Future Frameworks: Towards a Strategic Plan for the Visual Arts and Museum Sector in NSW, Jennie A. Lawson and Amanda Reynolds

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Oral history and the radio documentary/feature: introducing the 'COHRD' form, Siobhan A. McHugh

The affective power of sound: oral history on radio, Siobhan A. McHugh

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A scarred colonial psyche, Catherine McKinnon

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'Is a true story always true?' : an approach to fictionalizing Matthew Flinders' Narrative of Tom Thumb's cruize to Canoe Rivulet, Catherine McKinnon

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Writing white, writing black, and events at Canoe Rivulet, Catherine McKinnon

Aboriginal embassy:, Nick Mclaren, David Blackall, Terumi Narushima, and Oliver Kutzner

Arte Indigena Contemporaneo en Australien, Ian A. McLean

Productive Creative Writers' Relationships: A Communities-of-Practice Framework, Anitra Nelson and Catherine Cole

Domestic archaeology, Kelly Pilgrim-Byrne

Artworks exhibited in the exhibition "CCP Declares: On the Nature of Things", Jacky Redgate

Depth of Field, Jacky Redgate

Depth of Field, Jacky Redgate

Light Throw (Mirrors), Jacky Redgate

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Soft and Slow, Jacky Redgate

"Pocket Gamelan - mobile voices", G. Schiemer, Janys Hayes, and Lotte Latukefu

Encouraging Responsibility Among Contributors to Mainstream Media Sites: A personal reflection, Stephen J. Tanner

Managing user-generated content in the new technological environment (some ethical considerations), Stephen J. Tanner

Media, minority government, politics and policy, Stephen J. Tanner

The role of special edition editorials in forging and maintaining links between newspapers and the communities they serve, Stephen J. Tanner, Shawn G. Burns, and Marcus O'Donnell

Feature Writing - Telling the Story, Stephen J. Tanner, Molly J. Kasinger, and Nick Richards

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All stand for a musical match made in heaven, David C. Vance

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Aural delight from start to finish, David C. Vance

Music on the Mall, David C. Vance

Music on the Mall, David C. Vance

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Voices carry as conductor and choir shine in Mozart, David C. Vance

Performance at TEDxUWollongong, David C. Vance and Lotte Latukefu

Aquarellen, Julius G. Van Den Berg

Room, Julius G. Van Den Berg

Simon Blau, Susan Laurent, Jelle van den Berg, Julius G. Van Den Berg, Simon Blau, and Susan Laurent

Papers from 2011

6am in the Universe: Selected Poems by Benjamin Frater

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Aurora's Lament, Donna T. Abela

The Dark, the Light: Contemporary Australian and American art songs, Cathy Aggett, Lotte Latukefu, Diana Blom, and Kevin Hanrahan

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David Haines and Joyce Hinterding - A radiostation from the sun, Su Ballard

Information, Noise, et al., Susan P. Ballard

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History and postmemory in contemporary Vietnamese literature, Marsha Berry and Catherine Cole

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Lost Innocents of Kashmir, David Blackall, Kraig Grady, and Oliver Kutzner

Making News Today: a tool for adoption of ethics principles using technology┬┐supported television journalism, David R. Blackall, Barry M. Harper, and Lori Lockyer

Passion to pasyon: playing militarism, Merlinda C. Bobis

Loom, Brogan S. Bunt

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Radical Uncertainty: Judith Butler and a theory of character, Shady E. Cosgrove

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Archive Fever in a Typingspace: Physicality, Digital Storage, and the Online Presence of Derek Motion, Sally Evans

Hybridity and the Essayistic approach in radio drama and documentary: Incorporating found texts, field recordings, oral histories and original music composition in three original radio plays., Catherine Anne Fargher

The Man with No Ear: bioethical issues as a base for fables, Catherine Anne Fargher

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At Wentworth Falls, Phillip Hall

Transfigured Stages: Major Practitioners & Theatre Aesthetics in Australia, Margaret M. Hamilton

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Of the people, for the people: Duong Le Quy's site-specific spectacles at the 2010 Hue International Arts Festival, Janys Hayes

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Through a glass darkly: Gesture in actor training, Janys Hayes

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UnReal Estate, Lucas M. Ihlein

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What lies beneath: small soundworks for the sleepy, Lucas M. Ihlein

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Catalogue essay for "Learning from Experience: In League with the City of Melbourne" Visual Arts Project, Lucas M. Ihlein

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Green Bans Art Walk Project, Lucas M. Ihlein, Jo Holder, Diego Bonetto, Pat Armstrong, Stacey Miers, Mickie Quick, and Fiona McDonald

On the Reception of Aboriginal Art in German Arts Space. Art Historical and Anthroplogical Perspectives, Friederike Krishnabhakdi-Vasilakis

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Memory, schema and interactive video, Michael G. Leggett

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Physical Cinema: Practitioners and Recent Practice, Michael G. Leggett

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Reporting Religion beyond the Conflict Frame, Eric Loo

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Radio Narrative: Considerations on Form and Aesthetic, Siobhan McHugh

Oral History and the Radio Documentary/Feature: introducing the COHRD (Crafted Oral History Radio Documentary), Siobhan A. McHugh

Oral history goes to air: reflections on compiling oral history as radio narrative, Siobhan A. McHugh

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The art and craft of radio documentary: some Australian accents., Siobhan A. McHugh

Aboriginal art and the artworld, Ian A. McLean

Aboriginal cosmopolitans: A prehistory of Western Desert Painting, Ian A. McLean

Billy Benn, Outsider Art and Art History, Ian A. McLean

How Aborigines invented the idea of contemporary art, Ian A. McLean

How globalization made Aboriginal art contemporary, Ian A. McLean

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Reverse perspective: Bernard Smith's worldview and the cosmopolitan imagination, Ian A. McLean

The unsettling triumph of Aboriginal contemporary art, Ian A. McLean

The unsettling triumph of Aboriginal contemporary art, Ian A. Mclean