Cinema Papers
 

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Scott Murray

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2 BRIEFLY

4 CANNES INTRODUCTION

6 BAZ LUHRMANN’S STRICTLY BALLROOM INTERVIEWS BY RONNIE TAYLOR

12 ANN TURNER’S HAMMERS OVER THE ANVIL LOCATION REPORT BY ANDREW H URBAN

16 KATHY MUELLER’S DAYDREAM BELIEVER LOCATION REPORT BY EVA FRIEDMAN

21 AUSTRALIAN FILMS AT CANNES

28 NEW AUSTRALIAN CINEMA: SOURCES AND PARALLELS IN AMERICAN AND BRITISH CINEMA BRIAN McFARLANE, GEOFF MAYER

33 BERLIN AND ROTTERDAM FILM FESTIVALS REPORT BY PAUL KALINA

36 WIM WENDERS’ UNTIL THE END OF THE WORLD INTERVIEW BY ANA MARIA BAHIANA

44 SATYAJIT RAY AN OVERVIEW BY KERSTIN ANDERSSON

53 FILM REVIEWS TURTLE BEACH RAYMOND YOUNIS BREATHING UNDER WATER PAULINE ADAMEK BUGSY RAFFAELE CAPUTO HOMICIDE KARL QUINN BACKSLIDING PAUL SALMOND GARBO JIM SCHEMBRI

63 BOOK REVIEWS PROJECTING AUSTRALIA: GOVERNMENT FILM SINCE 1945 STUART CUNNINGHAM THE FILMS OF MERCHANT IVORY BRIAN McFARLANE THE LOGIC OF IMAGES: ESSAYS AND CONVERSATIONS PAULINE ADAMEK

66 TECHNICALITIES FRED HARDEN, DOMINIC CASE

74 PRODUCTION SURVEY

80 TENEBRICOSE TEN

Publisher

MTV Publishing Ltd, Abbotsford, 96p

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Reproduced by permission of one of the founding editors, Phillippe Mora. This material is made available for the purposes of research and study. Commercial use is prohibited. Issues digitised from original copies in the collection of Ray Edmondson.

Cinema Papers #88 May-June 1992

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