Cinema Papers
 

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2 BRIEFLY: NEWS, VIEWS AND LETTERS, INCLUDING 1989 ACADEMY AWARDS AND LOGIES

6 DIRECTOR PHIL NOYCE AND DEAD CALM: INTERVIEW BT BRIAN McFARLANE

12 FRANCO NERO : INTERVIEW BY PAUL HARRIS

19 FILM FINANCE : THE AGONY AND THE FFC : REPORT BY JOHN NICOLL

22 PAY TV : REPORT BY LIZ FELL

25 CANNES INTRODUCTION

26 CANNES OPENERS : AUSTRALIAN FILMS AT CANNES

29 SWEETIE : DIRECTOR JANE CAMPION : INTERVIEW BY PHILIPPA HAWKER

32 TRAVELS TO THE END OF THE NIGHT : IAN PRINGLE : INTER VIEW BY HUNTER CORDAIY

37 THE BOYS IN THE ISLAND : REPORT BY KATHY BAIL

39 NEW ZEALAND AT CANNES PLUS WHO’S WHO

40 PRODUCTION BAROMETER

42 FANZINES: REPORT BY MICHAEL HELMS

46 SCREENWRITER FRANK PIERSON : INTERVIEW BY PATRICK MAHER

52 TECHNICALITIES : TALKING FILM STOCKS : BY FRED HARDEN

56 MISSISSIPPI BURNING : JOHN SLAVIN AND JOHN SALMOND

58 DIRTY DOZEN : CRITICS' BEST AND WORST

60 FILM REVIEWS : ANOTHER WOMAN: BY SHELLEY KAY ; CELIA : BY IN A BERTRAND ; DEAD CALM : BY SHELLEY KAY ; DISTANCE VOICES, STILL LIVES : BY JOHN CONO- MOS ; EMERALD CITY : BY JOHN SLA VIN ; L UIGTS LADIES : BY JIM SCHEM- BRI; MY GIRLFRIEND’S BOYFRIEND : BY ANNE-MARIE CRAWFORD ; TALK RADIO : BY ADRIAN MARTIN

67 BOOK REVIEW : DON’T SHOOT THE BEST BOY! : BY KEN BERRYMAN ; PLUS NEW SECTION: BOOKS RECEIVED

69 PRODUCTION SURVEY : WHO’S MAKING WHAT

79 CENSORSHIP LISTINGS

80 THE LAST WORD ON FILM FINANCE : BY BOB WEIS

Publisher

MTV Publishing Ltd, Richmond, 96p

Rights

Reproduced by permission of one of the founding editors, Phillippe Mora. This material is made available for the purposes of research and study. Commercial use is prohibited. Issues digitised from original copies in the collection of Ray Edmondson.

Cinema Papers #73 May 1989

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