Cinema Papers
 

Authors

Philippa Hawker

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4 TABLOID TV: What's Rupert Murdoch got in store for the small screen?

10 THE SACRIFICE: Tarkovsky's final vision

14 CRIME ON HIS SIDE: But thriller writer Elmore Leonard has trouble going from page to screen

16 LANDSLIDES: Documentary puts the body (of work) in question

20 PEE WHEEEE!!!!!!: The man who's Daffy Duck's equal

22 FESTIVAL OCCASIONS: The Holocaust, model trains, shampooists and Orson Welles come to town

25 CENSORSHIP: The January and February decisions

26 GIRLS ON FILM: What do women's film units do for film- making? For women?

28 WRITE WAYS: Screenwriters talk, Troy Kennedy Martin dreams

SPECIAL CANNES SECTION

30 HIGH TIDE: Gillian Armstrong goes to Eden

34 MONEY TALKS: Tony Ginnane extends his influences

38 WAYWARD HAYWOOD: Chris Haywood 'gets to the point

40 AUSTRALIA AT CANNES: Who's who, which films are Cannes openers

52 REVIEWS: The Berlin Affair; Footrot Flats; In Between; Kangaroo; Little Shop Of Horrors; Men; Peggy Sue Got Married; Platoon; Some Kind Of Wonderful; Something Wild; Travelling North; True Stories; The Umbrella Woman

66 BOOKS: Michael Powell remembers . . . and remembers . . . and remembers

68 NEW ZEALAND: Cameras roll again

70 TECHNICALITIES: Holography and the light fantastic

74 PRODUCTION REPORT: Bill Bennett goes to paradise

76 PRODUCTION SURVEY: Who's making what in Australia

Publisher

MTV Publishing Ltd, Richmond, 96p

Rights

Reproduced by permission of one of the founding editors, Phillippe Mora. This material is made available for the purposes of research and study. Commercial use is prohibited. Issues digitised from original copies in the collection of Ray Edmondson.

Cinema Papers #63 May 1987

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