Cinema Papers
 
Cinema Papers #60 November 1986

Cinema Papers #60 November 1986

Nick Roddick

Description

EDITORIAL 3
COVER STORY
NEWS ROUND-UP: An update on films in the Philippines, the continuing saga of the National Film Theatre, an air-date for the AFI Awards, an obituary of Mark Josem and the usual ‘News in Brief’ listings 4
PROFILES: Two very different directors — Nadia Tass of Malcolm and Oliver Stone of Salvador — and man-from-the-lab Peter Willard 11
ON LOCATION: Going bush with The Light Horsemen 36
BIG SCREEN, LITTLE SCREEN: Reviews of Aliens, Always, Desert Hearts, Evening Dress, The Fringe Dwellers, The Great Bookie Robbery, The Holy Innocents, My Brother Tom, My Life Without Steve, Otello, Pop Movie, 2 Friends and Whose Baby? plus all the latest releases 39
CINEMA BOOKSHELF: Ninety years of British cinema, a critical look at some recent soundtrack albums, and Barry Salt on theory and technology 56
OVERSEAS REPORTS: The latest film and TV news, by our regular correspondents from around the world 59
FILM FESTIVITIES: Reports from Montreal, Venice and San Sebastian 65
TECHNICALITIES: In Part Three of his report on ‘Movies and Microchips', Fred Plarden looks at some more production and related uses for your PC 69
PRODUCTION: a run -down on what’s being made this spring and summer, plus the regular, exhaustive Cinema Papers Production Survey 72
Box of tricks: Liz Fell lifts the lid on deregulated broadcasting, cross-media ownership and other disturbing trends in the world of Australian television 14
FEATURES All singing: Franco Zeffirelli and Plácido Domingo talk about operas, cameras and Otello 19
On our selections: A birthday look at how the National Film & Sound Archive is storing Australia’s past 24
A different tale to tell - an interview with Bill Barnett, director of A Street to Die and Backlash
More than jujst pictures of tulips and windmills - a survey of the current state of Dutch cinema